All podcast content by Mark Rosewater
I’m pulling out of my driveway! We all know what that means!
It’s time for another Drive to Work.
Okay. The last two podcasts, I’ve been talking about Unhinged, and today I’m going to
continue! So so far, the plan I I want to do all 140 cards, and so far I’ve
done 49. Which means I’ve got to kick this into gear. Because I’m trying to
make this not too many podcasts. So I’m going to go through them pretty quick.
So if I have—my goal is to talk about every card, but some cards that I made
most of the things I’m going to say, I’ll get through them quickly.
Okay, so Gleemax, for those that don’t know, way way back in
the early days of the internet, back when we had what we call the Usenet, which
was kind of like bulletin boards was the early internet. Where people could
post messages. And there was a man, I believe his name was Jeff Franzmann, who
was making a joke about R&D and claimed jokingly that R&D was run by an
alien brain in a jar called Gleemax.
That became a running joke to this day, and the idea that
R&D is run by the alien brain in the jar called Gleemax. And this card is making
fun of that.
I knew I wanted to have a card in the set that was worth
some crazy amount of [mana.] Essentially a card that you could only cast with
infinite mana. And we toyed around what to [cost] it, and finally I decided
that a million just sounded cool. So this card has a CMC of a million, which
allows you to do some fun stuff with it.
And I wanted to do something pretty impressive. And flavor,
because the idea is, Gleemax in flavor controls everybody with mind control. So
the current version lets you choose all targets for everything. But originally
the card was you tapped it to win the game unless an opponent paid you a
dollar. But the powers that be didn’t want that to be the card. And so I
changed it.
This current card, the idea is, once you get it out, it’s
not that your opponent can’t win, but it’s really, really hard. Although
getting a million-cost artifact is tough. Now, there are ways built into the
set to do it. Meaning there are combos built into Unhinged that allow you to play this card. So even in Limited. I’ve
seen people play Gleemax in Limited.
And the flavor text is funny. It talks about how we’re all
trapped, and the only way for us to get outside help from the world is
Gleemax’s blatant disregard of flavor text.
Green definitely has a flavor of things that there’s some
restrictions built into them. These are the creatures that come with
restrictions. Where black more has other kind of spells that force your
opponent to do physical things.
This card’s shtick, by the way, is that it’s made of glue,
and so different pieces of the card have stuck to it. So for example, its
power/toughness box isn’t where it’s supposed to be, it’s ripped off and stuck
to him. So a lot of people get confused about how big he is. But he’s a 5/5.
Well, with Goblin Mime in play, either you’re going to lose
the Goblin Mime or you can’t get the benefits. So those things—that’s how those
things aren’t completely black-bordered, they are silver-bordered is, the vocal
component—cards like Goblin Mime can interact with them, or Censorship is an Unglued card where you take damage for
saying certain things
The coolest trivia about Goblin Mime is that one of the
things I try to do is I try to put jokes throughout this whole set. So there
are jokes through every aspect of the set. One of which is there are jokes in
the foil printings. So if you ever get a premium version of Goblin Mime, the
normal version, the goblin’s trapped inside an invisible box. Well on the
premium version, he’s trapped inside a premium box. The premium
treatment has a box around him.
So that is one of the many jokes. Like I said. There’s jokes
in the legal text on the box, there’s jokes everywhere. In fact, as I’m going
through this I’m going to point out a lot of the jokes that exist for people
that might not know.
Goblin Mime is one of the five cards, by the way, in which we
did this promotional thing where there was alternate
art for five of the cards, and all the art that we used was art that we had
for Unglued 2, so we already had the
art. The red one was Goblin Mime, the green one was Granny’s Payback, the blue
one was Mise, the white one was Circle of Protection: Artifacts, and the… what
am I forgetting? The black one was Booster Tutor.
So this game is, I put this card out, it’s a 2/2. Four mana
for a 2/2 is nothing special. But if you manage to say the name of the card and
your opponent doesn’t realize it and swat the card, it starts getting bigger.
And so the game with this card is to try to sort of casually reference the card
in a way that the opponent forgets that they have to do it.
And I’ve had a lot of fun times with Goblin S.W.A.T. Team. Goblin
S.W.A.T Team, it’s a very interesting little minigame, because if you do it too
much, you constantly remind your opponent that they need to swat it. So you’ve
got to be careful not to do it too much, but you want to do it enough that you
have opportunities to try to make it bigger.
I mean, there are a few cards where we kind of justify with
flavor, this is one of them. The purist in me says, “Oh, I really think—I wish
I had done something so the card mechanically was just over the line to the Un-world.” I do like that the entire
text box is a secret agent card showing the guy. So I think that’s cute.
Instead of “license
to kill” he’s “license to be killed.”
Because no matter what—even if you’re in your teens, it’s
worth something. But it’s like me, you’re in your forties, it’s really good. My
favorite part of this card actually is in the—instead of having flavor text, or
in place of flavor text, it looks like a comment field like we have on
Multiverse, our database for cards, and in it the—Brandon Bozzi, who’s BB,
who’s on the design team, has a quote like, “I don’t get it, all these
components don’t seem to come together. It’s about gaining life, and there’s a
granny killing things…”
And then my response is, “Don’t worry, we’ll fix it in
flavor text.” Which is a joke in that oftentimes when things don’t quite make
sense, it’s the job of flavor text to take disparate elements and make them
make sense. So anyway, a little meta-joke.
Anyway, in looking back, this is one of the ones where we
have white
card that permanently grants +2/+2 and then a temporary +2/+2, I wish the
numbers had been a little different just to differentiate the card. I might
have made this card a little bigger just so it would be a little more… maybe
+3/+3.
Under the current color pie, by the way, +2/+2 to the whole
team is now white. Green has to get +3/+3 or bigger. So this card has a few
issues long-term.
It can become the colors of your choice, it can have the
expansion symbol of your choice, it can gain the artist of your choice, it can
become +1/-1 or -1/+1 like the original Morphling, or it can untap like
the original Morphling.
This obviously for
those that don’t know is a reference to Morphling from Urza’s Saga. And I try in the Un-sets,
I like doing some parodies of famous existing cards. So this is one of them.
And so the thing that’s kind of interesting is, you want to
sort of get some knowledge from what your opponent is playing. So you don’t
necessarily know everything in their deck, but you know some things, and the
more you’re familiar with the deck the better a chance you are of getting it.
Anyway, if you—it costs 1W and an instant, and if you win the minigame, you
prevent all damage for the turn. By one source. All damage from a single
source.
Okay. So Unglued
had Infernal Spawn of Evil. That came about because Ron
Spencer was drawing an illustration for some specter in some set, and he
drew this cute little mouse with a cup of cocoa. With like marshmallows in it.
Because normally, outside of Magic,
his past illustration he had done a lot of kids’ stuff. And so he was just
showing off, he was making fun of this evil specter is this cute little thing.
And I thought it was hilarious, so I asked him to redo it so
we could use it for Unglued. Well,
hey, why don’t we continue the trend? There’s a few cards in Unhinged that are continuations of jokes
from Unglued. So if you have Infernal
Spawn of Evil, and it had a son, it would be Infernal Spawn of Infernal Spawn
of Evil.
So anyway, this card has two lines—its title is two lines.
One of the things we can do in Un-sets
is we can adjust the card. So we just made it a bigger title bar so we could
fit it in. This creature, it says “Beast Child,” and then “Beast” is scratched
off and “Demon” is written in. That’s a joke to the previous card, Infernal
Spawn of Evil, which said “Demon” was crossed off and “Beast” was written in. That was making a
joke of the fact that we had stopped supporting “demon.”
Now, “demon” has been supported again, so this joke is like,
“Last time it was beast, but now it’s back to being a demon.” So a little joke
for those that were unaware.
And the Infernal Spawn of Evil had an ability that was in
your hand, you could say, “I’m coming,” reveal it to—I think you paid some
mana, to drain your opponent for one. This card, the Infernal Spawn, is like
his daddy, but his ability works not in your hand but even farther back in the
library. If you’re searching your library, you can search him out whenever
you’re searching the library.
This card also, like Goblin Secret Agent, ehh, little too
cheaty in that it’s not really—I mean it could be done in black border. I mean, it’s a Legendary Creature—Human
Gamer, I mean the flavor we couldn’t do, but it’s a little—it’s another card I
wish I’d had a little more silver-border-ness to it, but…
And there’s a lot of fun. One of green’s general flavors in Magic is the idea of things that
constantly grow. And so this is something that just can grow and get much
bigger. And one of the things that’s very fun about this, if you pick the right
word, my tip for you is—words that are like articles, like “The” or “And” or
“Um” or “Huh” or “Yes” or “Go,” [NLH— “The”
is the only one of those that’s an article.] things in which your opponent
might just say them and not realize they’re saying them, are very good words.
And I’ve definitely—I had a game with the thing once where
I—it was—let’s see, it’s 2/3, so it was a 14/15. Because my opponent said it
four times in one… anyway.
So this is like, “Okay. Anybody can take advantage of this,
but you need to be wearing ladies’ clothing.” And the idea is, “Well, ladies
kind of get that for free,” so that ladies don’t have to worry about it.
They’re wearing ladies’ clothing. But men can out of their way to wear ladies’
clothing if they want to get the advantage here.
You’ll notice in the art, by the way, and this is true of
most of the art. All the random characters in the art usually are characters
from the story. So like hanging on him I believe is like Akroma and Phage, although I
don't know why you want Phage hanging on you.
Also the knight is coming out of Nevinyrral’s Disco, which I
think is cute. And in the background, by the way, you’ll notice a
pegasus that’s standing there that you can see. That is for us to make sure you
understand that he flies. So even though he’s not flying in the art per se, in
the background you can see his mount, which is a flying horse. Because we
needed him to fly for balance reasons.
Okay. Next, Laughing Hyena. 1G for a 2/2, and its
gotcha is if [they] laugh you can get it back. This is, in my mind, the single
worst gotcha card, because it’s bad enough that it makes people not talk, but
making people try not to laugh, I thought that would be fun, like it’s so hard
not to, but what I found is people would go out of their way not to get into
situations where they might laugh.
And like, they literally would like, “I don’t want to lose,
so I’ll try not to have fun.” And that’s bad design. My friends, bad design. It
is a hyena, by the way, which is why it’s a laughing hyena.
So this card was originally in… what set was it? Originally
in Tempest, I think. And we
couldn’t—Mike Elliott designed this card. But we realized that we couldn’t shuffle
the card into your opponent’s deck. The problem was, we didn’t know how to
differentiate their copy of the card from your copy of the card. We solved it
here by making you sign it, but that’s not a technology black border will allow
you to do.
Also, by the way, in the premium version of this card, there
is a note on—I don’t want to give it away, but there is a note in premium. So
if you have the premium version, on the Letter Bomb there is a note written out
in the premium.
Next, Little Girl. Little Girl is half a white for a
½/½ creature. So one of the reasons I liked fractions was that it allowed you
to do things like this, where I made a vanilla silver-bordered creature. That’s
hard to do, it’s hard to make a vanilla silver-bordered creature.
So I wrote this art description—I did the art descriptions.
That said… actually, Brady did most of the art descriptions, I think I did this
art description. But the art description was, “There’s a tiny little child
clutching their stuffed animal, and they’re cute and dainty,” or something like
that. And then we got back a little girl. So I was allowed to call it Little
Girl.
But anyway, this card has been pretty popular. I toyed
around with this card having—we didn’t have the basic—if I had the technology
now I would have made it a basic creature. Have as many as you want. But at the
time, I had to put that in the rules text, and I wanted it to be a vanilla. So
I didn’t do that. I thought about it, I thought it would be fun to have a deck
where you could just spill out a whole bunch of little girls.
The card, by the way, looks like an R&D sticker, and
it’s stickered on the card. We tried to sticker it on something—one of the
things people get outraged is when they see us stickering things, because we
just put it on cards. And whenever we put it on a card that people like really
want, they always go, “What are you doing?!” So we tried to find a card to
sticker it on top of to raise eyebrows. So we stickered it on Moat from
Legends, which is a very popular white card.
So this is a good example of
a card that is flexible enough to allow people to do with it what they
want. I could have given you a sentence and forced you to say the sentence I
gave you. And Carnivorous Death Parrot does that a little bit. But for purpose.
This one is like, “You know what? Let’s have some fun. You and your friends can
figure out however you can most have fun doing this. And you can figure out
whatever that is.”
That one of the things I think is fun is, I want people to
sort of like—like, I’ve seen people do very different things with this. And
that’s just because what they and their friends wanted to do. Like in R&D,
the way we used to play this is, we used to come up with a sentence that was
antithetical to the person you were playing. Just so you would make them say
something that they would never say.
For example, if someone had mine, it might be, “I love
bananas, yum yum.” So every time they hit me I have to go, “I love bananas. Yum
yum.” For those that don’t know. I hate bananas. If you don’t read my blog, you
don’t know my hatred of bananas.
So anyway, I think for rules reasons we can’t do this, I’m
pretty sure for developmental reasons we probably can’t do this. Oh, I will
note, by the way, two things: one, that the flavor text for this card is
leetspeak, and if you look in the reflection of the glasses of the Magical
Hacker, you will see Magic Online.
And the thing we’re careful of is we wanted to pick
something in which it wasn’t clear which is better. Which is better, 2/2 first
striker or 3/2 creature? It’s dependent. Sometimes a 2/2 first striker’s
better, sometimes a 3/2 is better. It depends on the circumstances. And so I
kind of appreciate that this has interesting choice. I also a lot like Man of
Measure the name. I think it’s a cute measure. So down the side there’s a
ruler, and on the bottom there’s a picture of someone that looks a lot like
Napoleon.
So the answer in silver border apparently is yes! Because
Mana Flare, M-A-N-A F-L-A-R-E, is a very famous Alpha card that lets you tap
your land for an additional mana. This card in the flavor text also has a
haiku, I did haiku flavor text. I realize that it’s not often one can do haiku,
and—anyway, I wrote the haiku.
And the picture is of like this majestic, giant screw with
all the five colors behind it. Anyway. I like the art. And the flavor text talks
about how there’s no more darker force in the universe than that of the Mana
Screw.
The reason I limit you to words of four letters or more is I
didn’t want you to do “of” or “the,” you know, I didn’t want articles and
things. I wanted you to actually name a word. But—and the nice thing about this
is, you can always—at bare minimum it’s Meddling Mage, you can name a word in
the thing you’re most afraid of. But sometimes you can be clever and you can double
up and get more than one thing.
This card is not really silver-bordered. It’s another one
that like—so we were trying to do a top-down Mise card. “Mise,” for those that
don’t now is Magic slang that
basically means get lucky. Like, you know, you’re in a situation where you
should have lost but you didn’t. And mising often involves topdecking. So the
idea is, you topdeck what you need to get lucky. Is the flavor of the card. So
the mechanic matches the flavor, but it’s not super silver-bordered.
The only reason it probably can’t be done in black border is—at
least at this cost, is it’s just too good. One of the things about the power
level of the Un-sets is because they’re
not played in normal tournaments, that we—the power level’s pushed a little bit
on these cards. Just to make sure that when you mix them with other cards, we
want to make sure you play enough of them, we definitely are willing to push
the power level line just a little bit.
So this is another little metagame card where if you use your
middle name to give it an ability, in other games, or even in this game if your
opponent has one, like your middle name is a secret that other people might not
know. And so do you want to give up the secret so you can power up this card?
But in doing so, you power up other people’s, because now they now your name.
And the art shows—I think it’s Jaya Ballard? I think? [NLH—Yes] That she’s in a little shop
with little trinket license plates, and all the names on the license plates are
all Magic-specific names. They’re
all names that you only see in Magic.
So the idea is that you want to build a deck around a singular
letter. M being the most obvious, because it starts with M, but you want to
build a deck. And so we like to make cards that make you sort of build in
different ways. For example, building around an artist is something that the
set does that you don’t normally do. Well this card says, “Build around a
letter.” Get all of your permanents to be the same letter.
And in the art, by the way, you’ll notice that everything in
the art starts with the letter M. There’s a mask and a manticore and a mermaid,
and just all sorts of things that begin with the letter M. And the flavor text,
“many matches make more madcap monkey mayhem,” note all starts with M. So…
anyway, I like the name Monkey Monkey Monkey.
Mons’s Goblin Waiters is obviously a parody of Mons’s Goblin
Raiders, Mons was a person in R&D, a longtime friend of Richard
Garfield’s, and so I thought it would be fun to make another Mons card. The art’s
really fun, this is another art done by Venters, and it’s a lot of goblin
mayhem. So it’s very funny. The flavor text is like sort of written-out menu.
Things you can get at this restaurant.
So this has one of my favorite stories. So I was judging the
prerelease, dressed as a donkey, I got called over to a match, it was under a
table, so I had to get under the table. It was Osyp Lebedowicz and somebody else
who—there was an event going on, and a bunch of pros dropped by to play.
So anyway, Osyp had a Goblin Mime out and he was not allowed
to talk. And so the question was, he had a Mother of Goons in play, his
opponent had a creature that died. He was trying to insult the creature using
hand gestures, because he wasn’t allowed to talk because of Goblin Mime. And
the ruling I had to make is, does Mother of Goons require you to verbally
insult the creature, or is any kind of insult as long as it’s clearly insulting
okay? And I ruled that it did not need to be verbal, and so Osyp was able to
keep Mother of Goons using his hand signals to insult it.
Also, by the way, Mother of Goons, if you look behind it
there’s all this graffiti on the card. All the graffiti—in fact, this is true
of all Un-cards. Whenever there’s something
in the background, look at the background. Read the words. All the graffiti is
referencing stuff in this set or Unglued.
Like for example—oh, there’s “Word to yo mother,” which is
referencing this card. But in the background there’s stuff like, “It’s coming!”
Which is from Infernal Spawn of Evil. And then BFM has tagged itself and such.
So anyway, look at the flavor text, there’s lots of fun stuff. I think there’s
even graffiti behind the rules text. In the text box.
I have just got to work, but I’m going to finish Ms because
I’m trying to burn through this. So I’m going to quickly get through the Ms and
then we’ll bid adieu.
This is another one of the—this is another one of the
minigames, the non-Magic minigames.
There’s one in each color. They’re all blank to blank. Mouth to Mouth. Body part
to body part. The naming convention I like, by the way.
Which is true, but the flavor text on Ow talked about how
some flavor text had nothing to do with the card it’s on. Anyway, that’s a
meta-joke there. For those that never understood that flavor text. The flavor
text it’s referencing in Ow is making fun of the fact that some flavor text doesn’t
match the card. Which this one doesn’t.
Mox Lotus came from the idea that we wanted a card called “Mox
Lotus,” I wanted to do something awesome, and finally I said, “Okay, what’s
awesome? How about it just taps for infinite colored mana?”
Then we decided it might be more fun if it tapped for
infinite colorless mana, and then you had to spend a huge amount of mana to
activate it, so we made it 100. But the point is, you have infinite mana, it
doesn’t matter. For all intents and purposes, this allows you to tap for
infinite colored mana.
But—the funny thing is, this thing used to be much more
dangerous. Because it used to be if they could destroy this card you would lose
the game, because the mana burn would kill you. But now there’s no mana burn—oh
no no, you don’t lose life from mana burn. Well, sorry. It used to be—right. If
you destroyed this card, this card kept
you from having mana burn, so you would die to mana burn. But now there is no
mana burn. So Mox Lotus got significantly stronger. It used to be literally
lose the game if your opponent Naturalizes it. No longer true. Not that anyone’s
using Mox Lotus in competitive play, but it did get stronger.
So this—getting a card is worth more value than getting a
1/1 token, but it is easier to remember flavor text, what the card is than to
remember artists’ names. And so this one—it’s a little harder to get more than
one card off of a card. And the thing I like about this card and Squirrel Farm is
I really like the idea of having different skill sets matter, and I like the
idea that Magic knowledge—all of a
sudden like just being knowledgeable about Magic,
like being someone who’s learned the flavor text pays off. And I think that’s
really cool.
So anyway, that is M. So hopefully--I’m burning through this,
hopefully you guys are enjoying the tiptoe through Unhinged. But I am now parked. So that means it’s time for me to be
making Magic. And I’ll talk to you
next time.
Well damn, I'm immortalized.
ReplyDeleteSort of.
Go ego searches.
Jeff Franzmann